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LEONARD NIMOY (1931)
Leonard Nimoy made his first photographic image in the early 1940’s
using his family’s Bellows Kodak Autographic. In the family’s
small Boston apartment the bathroom doubled as Leonard’s darkroom.
Entirely seduced by the camera’s image-making power, Leonard took
photos of family and friends and assembled a do-it-yourself enlarger
built to accommodate the same family Kodak.
Nimoy’s passion for photography led him to UCLA and Robert Heineken’s
photography classes in the early 1970’s. Work from this period
was published in two volumes of poetry: You and I and Will I Think of
You. In 2001, Nimoy received an appointment to become the “artist
in residence” at the American Academy in Rome. This residency resulted
in the “Borgehse Series”, provocative images inspired by
the legendarily risqué Antonio Canova sculpture of Countess Paulina
Bonaparte Borghese.
Nimoy’s next large scale project ultimately became his first photographic
monograph. SHEKHINA features Nimoy’s luminescent meditation on
the feminine aspect of God. The book, which sold out of its first printing
in less that a month when published in 2002, galvanized religious scholars
and ignited a vigorous public debate. The Jewish Telegraphic Agency wrote, ”Nimoy
is igniting an artistic debate...over art and censorship that echoes
the battles that swirled over Mapplethorpe and other artists like Andres
Serrano and Chris Ofili, who created controversial religious imagery.”
In his next book, THE FULL BODY PROJECT, Nimoy contemplated an entirely
different representation of feminine power. Using a series of resplendently
large-bodied women, Nimoy deploys his models in joyous un-encumbered
movement. With every supremely confident step and proud pose Nimoy’s ladies challenge
society’s rigid definition of beauty.
Nimoy’s photography has been exhibited in venues ranging from the
Chicago Art Institute to Hebrew Union College in New York to the Museum
of Modern Art in Spyros Greece. In addition to his inclusion in numerous
private collections, the artist’s work is included in prestigious
public collections such as the Jewish Museum in New York, Fondazione
Sandrettoo Re Rebaudengo, Per L’Artem in Rome, the Audrey and Sydney
Irmas Collection at the Los Angeles County Museum of Art, the New Orleans
Museum of Art and the Museum of Fine Arts in Houston. Nimoy has also
been featured in many national publications from American Photo to Black & White
to Time.
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Lorser Feitelson came to Los Angeles in 1927, bringing
with him Modernist ideas he had adopted while living in New York and Paris.
Highly
influential as a leader and teacher in the art community, Feitelson helped to
establish Los Angeles as the important art center it is today. Louis Stern Fine
Arts located in
the center of West Hollywood's Avenue of Art and Design has had a long and successful
involvement in the secondary market. With a special concentration in Impressionist
Post-Impressionist Modern and Latin American art the gallery has
offered works by Lorser Feitlson Helen Lundeberg Degas Gauguin Giacometti Leger
Matisse McLaughlin Monet Picasso Pissarro Ramos Martinez Renoir Rivera Tamayo
and Villon
Abstract classicism, west coast abstraction, west coast
hard edge, hard edge, Lorser Feitelson, Helen Lundeberg,
Frederick Wight, hungarian avant garde, California modernism, California Post
Surrealism, Claire Falkenstien, Alfredo Ramos-Martinez, estate,
representing, who buys, West Hollywood, Melrose, art expert, well known, art
expert, dealer in, repected dealer, fine ar
Leonard Nimoy photo Leonard Nimoy photo Leonard Nimoy
photo
louis stern louis stern